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Wednesday, May 25, 2011

STATE OF PARANOIA

Realtors have a catch phrase when marketing a house for sale; they call it CURB APPEAL. First impressions are everything, so when you roll up to a property that's for sale, how the front yard is groomed has to make you feel welcome. Maybe give you that warm and fuzzy feeling like your going to Grandma's for milk and cookies. 


Obviously this package that was delivered to my front door this morning shot my property value sky-high. Contains solid gold selections.



Umm, the back yard...



“You’re throwing your life away.”
Yep, one industrial sized dumpster at a time.
This makes dumpster number seven!  I’m cleaning house and clearing my mind. I inherited what amounts too a junkyard. And in today’s busted economy somebody’s junk is nobody’s treasure. My Dad developed a fever for hording after is first run in with death. He beat terminal cancer in round one.  He would say every little nut and bolt had a purpose and then store 'em in tin cans according to size.
Now the soul crushing responsibility of erasing my late Father from his castle falls on me. Yeah guilt.
I’m bringing the property back to its former glory so it can be sold. Comes down too fucking money as usual. I can’t afford to buy out my sibling’s share and vice versa. I’m facing what I hope is the solution to my, “Me against the State legal troubles.” My big sis is facing a nickel behind bars if found guilty. 

Shit. Did ya read my last post on Studio 1? If ya did crumple it up and toss it in the trash. I just peeled off the plastic wrap protecting the jewel case of JACKIE MITTOO'S NOW released by STUDIO 1. They've forsaken the back catalog ad. The insert now offers new insight into the massive historical importance that the keyboard wizard had on JAMAICA'S music. Umm...you knew that about JACKIE right?



I hate to make excuses as to why my love affair with my blog has been cooling off. Between a big mess to clean up and an even bigger legal mess, my mind is elsewhere these daze. Those troubles of mine-


For the past few years I’ve been performing a dance routine with the State Of Rhode Island Family Court. The dance we’ve been doing is called the Rhode Island Shakedown. It is a two-step two-faced snappy little number. They issue arrest warrants and I show up with positive proof of support. They seize my assets and freeze my bank accounts. I slap back with indisputable proof of support. They illegally pull my drivers license and I push back harder with conclusive evidence that all my child support has been paid in full.

What really set me off a few months back was when the State extorted my tax return money without representation. (Hey didn’t this country take up arms with Briton’s King over that shit?) The government stole the money for the daughter’s prom dress and shoes! So I two-step shuffled myself in front of a JUDGE yesterday to “plead” my case. I casually mentioned that I had received a bill for $37 thousand dollars from them. Five years ago it was an insane amount. Something like $140,000. My hair turned white! The powers that be of course denied it. Their records show that I only owed them a mere $7000.  It is not polite to lie too my face. I waved my copy of the bill like a victory flag. The Judge asked to see it. His “Your Honor” said I was right and what does the State have to say about that? Probably just a typo.

Believe it or not the liaison for Family Court Child Support lost the paper in a matter of moments. In the walking space between the Judges bench and the Defendants table my copy of the bill was misplaced. When I asked about getting it back. The powers that be were dumbfounded and mumbled that they had handed it back. A big fat nope. My big mouth then took on a life of it’s own (No surprise there!) I accused the Family Court as being a circus run by clowns. Sad clowns. Inept individuals drunk with power. 


It is a fine line between being right and being in contempt of court. The many happily divorced couples waiting at the rear of the room for their turn at “justice” laughed. Even the Judge chuckled at the liaison’s expense. I won round one.

Okay… let me rewind the story. Several years back the State lost me in the system. Gone was every Alimony check. Five years worth in fact. Gone was every Child support payment. Ten years worth in fact. So they made out a bill starting from the beginning and tacked on interest that would make some Sicilian Business men blush.
 I brought them a suitcase filled with every pay stub, (automatic garnishment of my pay.) I brought them every returned personal check paid directly to my ex-wife. I even brought them my ex-wife as my corroborating witness!

 Every time they say sorry for the inconvenience and every payment is now updated into the system. You, Mr. Nico’s Big Mouth are all set. A few years quietly pass then BOOM outta nowhere the State drops the same bomb on me. “You owe us blood from a stone.”
When you’re a male of the species and you walk into Family Court, you are automatically profiled as a dead-beat dad. And the powers the be treat you like a mangy dog. They take advantage of their power over you. They fuck with ya!

I’ve done the right thing from the beginning but the State is out ta persecute me. I’ve never defaulted on my Child Support obligations. Whether I’m working or unemployed my daughter’s needs always come first.  So the State in all their infinite wisdom sees fit too punish the good one. Punish the responsible one. Make an example out of me.

I don’t make money with my big mouth but I can definitely save a few bucks using my big mouth. I always represent myself in a court of LAW. I simply inform the Judge that with the three grand I’m saving... I would rather it put towards my daughter’s future than give it to a Lawyer for his monthly Mercedes payment.

Oh, and doing business in the State of Rhode Island…it pays to be paranoid. 


Tuesday, May 24, 2011

STUDIO 1

Smell that? 


Yeah...my post went rancid. I left this post out uncooked for over a month! 


Popped into the microwave and here it is...


I spent all day tearing down a stockade style fence that I installed over twenty-five years ago. My dad offered to paint and do the bodywork on my first car if I put up the fence. My dad led me to believe that it was an even deal. He picked at my car on and off for a few weeks till he was finished. No sweat. Me? I spent over two weeks just digging out the post-holes. The whole project took me the whole summer of that year. My dad taught me a very valuable lesson...never trust anyone! 

Speaking of not being able to trust someone...

Back in the day JAMAICA was spilt into two warring political factions. Still basically a two party system today. Bustamante's Jamaica Labour Party and Manley Senior’s People's National Party. Each boasted better life for all walks of folks. The usual rhetoric. So no matter who is in the drivers seat... the poor always end up walking. 


Clement "Sir Coxsone" Dodd


Back in the day JAMAICA had two studios that ruled the scene. Duke Reid's Treasure Isle Studio and Coxone Dodd's Studio One. Sworn enemies during their reign but they retired as friends. Unlike their political counter-parts who kept the poor down trodden, these guys put boogie in your shoes. These studio’s provided the soundtrack to the SUFFERAH’S cause. Hell, the music pouring out of these studios could put a smile on your face.
It's funny how many roots snobs snub the new stuff and accuse today’s young LIONS of ripping off the riffs and clipping the words or stealing the soul of their 1970’s heroes.
But even back then big studio groups like the Aggravators or The Revolutionaries were already pilfering the “old” riddims. So everything these folks hold dear to their heart were recycled! Most of these roots rockers riddims were already begged, borrowed and stolen from the golden Rocksteady era!




 If I was eavesdropping in on an argument between these two giants, I would pick Coxone’s side. So this post will defend STUDIO ONE. This record label’s legacy is well represented by several different record companies.




Heartbeat out of a cold and concrete Boston Massachusetts puts together some nice deluxe editions. They re-release actual albums and tie together all the loose singles and bonus b-sides. A history of what your holding in your hand is explained in the linear notes. Premium goods at a knock off price.




London's SOUL JAZZ is not a label run by businessmen pushing units. You know the type…it makes no difference if their selling hotdogs or Reggae music, as long as their supply meets a money demand.  SOUL JAZZ is a label produced by a group of fans with the means. They release records that they themselves wanna hear. Thankfully these folks also have top choice taste.
Sadly these labels are disappearing like drops of precious water inna drought. BLOOD and FIRE and MAKASOUND are drying up.

SOUL JAZZ has a great run going on different themed compilations like Studio One Rockers, Studio One Soul, Studio One Scorcher Instrumentals and Studio One...you get the idea. All necessary goodies to complete your selection. The best way to get these riddims stuck in your conscious is to stuff these sounds in your ear till ya head expands. It is like knowledge…the best place too store it is in your mind.




Okay, last but not least is the facsimile label itself. The re-releases they offer up, offer no new linear notes packed with new insights into the music. The CD booklet opens into what is essentially an advertisement for their other product releases. Not necessarily a bad thing tho, because it reminds me that I need, not want, but need two more JACKIE MITTOO discs to satisfy my collection. Remember JACKIE? You should!



 Okay a brief background biography usually a short paragraph long is tacked on last page.  Like an after thought.
Although limited frills meet the eyes; great music still greets the ears. In the end it is about the music anyway. I’m just thankful it's back in print. Their catalog boasts both Dennis Brown's and Horace Andy's debuts. Big stuff right there! 


Oh and my first car...




My 73 didn't have the cool hatch-back feature but it was orange. Concerning the ladies? Thank JAH I had great hair!

Tuesday, April 12, 2011

STUDIO ONE

The golden oldies of Studio One... that is if I don't get endlessly interrupted tomorrow like I did today! Lawyers calling (good) metal scrapers (good) and my seventeen year old daughter with prom dress fittings (very bad!)

Tuesday, April 5, 2011

CE'CILE!

Why I listen to CE’CILE?

The long lost original BAD GYAL version.


 I’ll start with a biological reason. 

My male of the species DNA consists of both the X and Y chromosome, so when I catch a glimpse of her irresistible double X chromosomes, I turn caveman. 
Basically one part of my brain turns to cerebral mush while the suppressed primal animal takes control.

The E.P. that left everybody wanting more!


The non-scientific explanation… she makes fucking great music. It’s that simple.

Her music is aural pheromones. It shimmies across the dance floor in impossible high heels. CE'CILE is ladies room girlfriend consul between hot gyals fixing their lipstick in the mirror. She is dirty minded and full bodied as CRISTAL CHAMPAGNE. She is bubbly pillow talk with a playful bite.  She is everything feminine without the motherly instinct. 

A delicious photo session packed version from Kingstone Records!


She pleads alluringly if she's WORTH IT? 

Sure six of the big tunes here are shared between all three releases. I know she's worth it because I've bought both the BADGYAL and the WAITING versions and I don't feel ripped off! Somehow these disc play as very different affairs.

The no-expense spared version from SoBe Entertainment. 2008


I feel like I'm cheating on mi LADY SAW!

Friday, April 1, 2011

ACHIS

The online reggae encyclopedia known as ACHIS is under the impression that he is going to retire his very necessary blog by next year. Apparently, ACHIS is unaware that his massive readership is not gonna let the happen. Even if I personally have to chain him to his computer's keypad...so be it! Hey, I'll put out a fresh bowl of water every day for ya! I'm not inhumane ya know. 

No seriously, this void of flowing information will form an insidious black hole deep within the Internet universe. We may never find balance. 
Now I lost count after reading only 42,000,000 reggae reviews that he's written and generously posted. Don't believe me about those review numbers? 
Besides his BLOG check his AMAZON "page" for proof. AMAZON are the Internet universes biggest entity and ACHIS'S reviews take up more than half their carbon footprint! What writer in his right mind wants to follow in those shoes? My own BLOG wears a smallish size 9 PUMA. 

Yep out of all the endless reviews ACHIS has written, I guess I'll allow him one mistake! RICHIE SPICE'S "IN THE STREETS OF AFRICA" ranked a 2.5 out of 5. That means it is 50% bad. Are ya laces tied too tight? 

Friday, March 25, 2011

STATE OF REGGAE ADDRESS

The start of a DYNASTY.


Brethren Marley


I'm not gonna knock Borders and not because they're financially falling down, but because I've pulled some hard to find selections from their music bins. I was curious to see what Reggae was in stock. 


Rasta and Reggae ambassador to the world Bob Marley was present and accounted for with Survival. 


Not perfect but damn close.




Bob's eldest son Ziggy was represented by his breezy reggae-ish Dragonfly disc. Not crucial stuff but good lazy summer in the sun vibes all around. 






Stephen had his massively persuasive Mind Control. After standing in the shadow of his siblings as their producer, STEPHEN finally steps into the solo spot-lite with a blazing entrance.


More of this please.




When this record came out I had it spinning in circles everyday for almost two seasons. I still play parts of it to death. I'll never get sick of the mighty THE TRAFFIC JAM tune. 


 Brethren Ziggy and Stephen show up again with older sistren Cedella and Sharon as the Melody Makers. A best of set. Very 80's styles aimed at a world audience. It was working until everybody grew up! I vaguely remember catching dem MARLEY youth live. Hey, those were hazy times! 






Black sheep of the family, Kymani's Many More Roads was stocked. (Read his book for an explanation on that.)


Does the Marley legacy justice. Strong record.


A copy of youngest son Damian's mature masterpiece Welcome to Jamrock was hiding behind it.


Perfect.


WELCOME TO JAMROCK is my most listened too record of the entire MARLEY family. That includes family patriarch BOB. Kymani's RADIO is close second.


Okay...


BUT where the Hell is Julian? 


"Is anybody looking for me?"




Sadly, I've never seen or heard a full disc of his stuff. Alright he does lay down some guest vocals on Stephen's IRON BARS.


None of mom Rita was shelved either. That was their entire REGGAE selection! Usually, there is at least some PETER TOSH or MATISYAHU avialable. Definitely always a TOOTS disc. If there were any more, it was hiding behind the massive rack of the latest Black Eyed Peas.

ALPHEUS from CREATION

Fueled by imagination.


Science fiction writers have been going back and forth in these "vehicles" for generations. Hundreds of fantastic stories have taken place because of this contraption. In the real world Einstein suggested at it's theoretical existence. He published papers hoping that someday technology will play catch up to his "blueprints." 


 It has. What the hell am I babbling on about?  I'm talking about a time machine folks.  And it has arrived with this here disc! 


Proof that time is flexible!

Producer and musician, ROBERTO SANCHEZ, from northern Spain stuffed singer ALPHEUS into a time machine. And then loaded the entire LONE ARK RIDDIM FORCE band along with tons of today's state of the art recording gadgets. Must of been tight in there. And then ROBERTO spun the dial to mid 1968. They created the freshest batch of heart felt ROCKSTEADY since ALTON ELLIS'S heyday. And to keep things from getting too sleepy, they perked up the other half of the tunes with a percolating SKA shuffle. These beats are haunted by ghosts of horn greats TOMMY McCOOK and DON DRUMMOND! This is the genuine stuff. Not that rock-n-roll junk with a horn section. Along with COURTNEY JOHN'S latest flashback, I like this "new" trend. 






I guess the Grammy organization after ignoring JAMAICA'S massive contribution to music, is trying to right it's past wrongs. They started to include reggae in 1985. BLACK UHURU'S 1984 ANTHEM took the statue home. They're self admitted weakest inna brilliant run. Slightly weaker.


ALPHEUS. Making history by repeating it.


So they are nominating artists that have no or little importance to the current pulse. Proof needed? Out of all the acts of genius, Lee Scratch Perry, has committed to reggae history, they included the ramblings of a self medicated damaged soul. His current records are for the morbid curiosity seekers. Do not get me wrong, Scratch should have dozens of the award statue decorating his studio. One for the Dubs of the Blackboard Jungle, another one for the Super Ape series, another one for the Heart of the Congo, another one for Junior Murvin's Police and Thieves and so on and so on. But to place his latest releases against the work of young talent creatively peeking is ludicrous. 


A token for mediocrity.


What has this got to do with ALPHEUS'S brilliant follow up to Special Delivery's EVERYTHING FOR A REASON. Umm, nothing, I just never got a chance to foul mouth that music organization.

Should this disc win next years Grammy's? No this disc should clean sweep the Grammy's in 1969!